Line 1,353: |
Line 1,353: |
| CHAIRMAN AVA | | CHAIRMAN AVA |
| 35 Lovely. 35 A pained look comes over DR WONG. | | 35 Lovely. 35 A pained look comes over DR WONG. |
| + | |
| DR WONG | | DR WONG |
− | 36 <Mutters to self> No... 36
| + | <Mutters to self> No... |
| + | |
| SISTER SAN | | SISTER SAN |
− | 37 <Smiling> The world keeps turning. 37 The world is well.
| + | <Smiling> The world keeps turning. The world is well. |
| + | |
| DR WONG brings himself to rise. His muttering audible. | | DR WONG brings himself to rise. His muttering audible. |
| + | |
| DR WONG | | DR WONG |
− | 38 My BOBs... are not for you... 38
| + | My BOBs... are not for you... |
− | Pink Rev. (mm/dd/yy) 39.
| + | |
| Pink Rev. (mm/dd/yy) 39. | | Pink Rev. (mm/dd/yy) 39. |
| + | |
| SISTER SAN frowns, confused, looks at AVA. | | SISTER SAN frowns, confused, looks at AVA. |
| + | |
| CHAIRMAN AVA | | CHAIRMAN AVA |
− | 39 He’s not in sales - lock it in. 39
| + | He’s not in sales - lock it in. |
| + | |
| DR WONG gives a crazed look back at SISTER SAN. Points at CHALICE. | | DR WONG gives a crazed look back at SISTER SAN. Points at CHALICE. |
| + | |
| DR WONG | | DR WONG |
− | 40 BOB would break your brain! Ha ha! 40 * CHALICE gets the idea.
| + | BOB would break your brain! Ha ha! * CHALICE gets the idea. |
| + | |
| CHALICE | | CHALICE |
− | 41 <helping> Ha ha ha. 41
| + | <helping> Ha ha ha. |
| + | |
| SISTER SAN sneers and begins to cut the connection. AVA cuts out faster. The garden glass goes opaque. The new plants scream. AVA collects herself. A brief awful silence. She hovers close over the Wongs. | | SISTER SAN sneers and begins to cut the connection. AVA cuts out faster. The garden glass goes opaque. The new plants scream. AVA collects herself. A brief awful silence. She hovers close over the Wongs. |
| + | |
| CHAIRMAN AVA | | CHAIRMAN AVA |
− | 42 I cannot help you Wongs when you 42 shit where you eat.
| + | I cannot help you Wongs when you shit where you eat. |
| + | |
| AVA puts a finger in CHALICE’s face. CHALICE effortlessly breaks AVA’s finger. Instantly, AVA drones, holds her forearm precisely in her mouth and pops her finger back into place. AVA leaves abruptly. | | AVA puts a finger in CHALICE’s face. CHALICE effortlessly breaks AVA’s finger. Instantly, AVA drones, holds her forearm precisely in her mouth and pops her finger back into place. AVA leaves abruptly. |
| CHALICE’s giggle reflex flickers in and out. She looks at DR WONG. Then direct to his head, her pupils oscillating: | | CHALICE’s giggle reflex flickers in and out. She looks at DR WONG. Then direct to his head, her pupils oscillating: |
| + | |
| CHALICE (V.O.) | | CHALICE (V.O.) |
− | 43 If the Chalice Study is done, does 43 that mean I’m done being your
| + | If the Chalice Study is done, does that mean I’m done being your daughter? |
− | daughter? | + | |
− | DR WONG looks at CHALICE, then nods, conceding to the logic. A relieved finality comes across his face. He rests his eyes. | + | DR WONG looks at CHALICE, then nods, conceding to the logic. A relieved finality comes across his face. He rests his eyes. We close in on CHALICE. Time lapses over her. The giggle reflex subsides into a hum. She moves the jewel pin over different spots on her body. Multiple small expressions snapshot across her face. They resolve into a smile. |
− | We close in on CHALICE. Time lapses over her. The giggle reflex subsides into a hum. She moves the jewel pin over different spots on her body. Multiple small expressions snapshot across her face. They resolve into a smile. | + | |
− | FLIP TO WV: | + | FLIP TO WV: 1700 INT. WAVYVERSE. 1000 LIVES DEMO CONFLUX. FUTURE 1700 |
− | 1700 INT. WAVYVERSE. 1000 LIVES DEMO CONFLUX. FUTURE 1700 | + | |
| Adult CHALICE is dressed in her 10 year old sweater and pink * hair. She carefully pets an agitated dog along its neck. It * fights the sensation, but CHALICE persists. It gives in and * begins to calm. She begins to smile at the result. * | | Adult CHALICE is dressed in her 10 year old sweater and pink * hair. She carefully pets an agitated dog along its neck. It * fights the sensation, but CHALICE persists. It gives in and * begins to calm. She begins to smile at the result. * |
− | Pink Rev. (mm/dd/yy) 40.
| + | |
| Pink Rev. (mm/dd/yy) 40. | | Pink Rev. (mm/dd/yy) 40. |
| + | |
| Suddenly a blurry voice interrupts: “New candidates * arriving.” The calming dog begins to phase out and the lights * begin to shift to a blinding white. CHALICE looks at the dog, * its agitation returning. She puts her hand up: everything * freezes. * | | Suddenly a blurry voice interrupts: “New candidates * arriving.” The calming dog begins to phase out and the lights * begin to shift to a blinding white. CHALICE looks at the dog, * its agitation returning. She puts her hand up: everything * freezes. * |
− | CHALICE * | + | |
− | 1 Ok BOBs. Filter for dog bites on 1 * the next. I have a feeling about * dog bites. *
| + | CHALICE |
− | She puts her hand down and lets it all go white. * | + | * Ok BOBs. Filter for dog bites on * the next. I have a feeling about * dog bites. * She puts her hand down and lets it all go white. * CHALICE, in her normal adult attire and hair, is in the 1000 * Lives turtle conflux, now redesigned in her own style. A DEMO * BOB peels off her spinal cord. She rises out of the pool, * humming her hum. She makes a gesture. The TURTLE confirms * with a wink. * |
− | CHALICE, in her normal adult attire and hair, is in the 1000 * Lives turtle conflux, now redesigned in her own style. A DEMO * BOB peels off her spinal cord. She rises out of the pool, * humming her hum. She makes a gesture. The TURTLE confirms * with a wink. * | + | |
| Then: two candidates leak in [simulate variable characters]. * CHALICE turns to regard them. * | | Then: two candidates leak in [simulate variable characters]. * CHALICE turns to regard them. * |
| + | |
| CHALICE (CONT'D) | | CHALICE (CONT'D) |
− | 2 Welcome to 1000 Plots, candidates. 2 Let’s look at each of your prime
| + | Welcome to 1000 Plots, candidates. Let’s look at each of your prime paths and get that outta the way. |
− | paths and get that outta the way. | + | |
| 1800 END CREDITS 1800 | | 1800 END CREDITS 1800 |
| + | |
| SUPERTITLE: THE CHALICE STUDY - Then: LIFE AFTER BOB | | SUPERTITLE: THE CHALICE STUDY - Then: LIFE AFTER BOB |
| [Simulated: TURTLE roaming apartment docking area with jewel pin plugged onto its shell. CHALICE reclined around it. Timelapse day night cycles flashing over its slow movements.] | | [Simulated: TURTLE roaming apartment docking area with jewel pin plugged onto its shell. CHALICE reclined around it. Timelapse day night cycles flashing over its slow movements.] |